Seoyun Hong

Author: Seoyun Hong

  • Paul Virilio- On Georges Perec(2001)

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    Seoyun Hong
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    (After May 1968) Hence our approach to the city, for instance, no longer connected to traditional notions of urban geography (cadastral survey, social classes, concentration, density and other phenomena); rather, it connected to what we termed the ‘infra-ordinary’, i.e. what we do when we do nothing, what we hear when we hear nothing, what happens…

  • Dancing on the sticky note

    Dancing on the sticky note

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    Seoyun Hong
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  • I am building my vocabulary

    I am building my vocabulary

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    Seoyun Hong
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    How have you been? I started working recently and had been quite tired. Hope you’re doing well. See you soon xxx

  • Everyday Life and Cultural Theory(2002) – Ben Highmore

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    Seoyun Hong
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    The attempt to locate and apprehend modern everyday life, and to find forms that are capable of articulating it, might be seen as the overriding ambition of many avant-garde artists of the late nineteenth and early twentieth century. The importance of such avant-gardism ambition will be central to this book. First though we need to…

  • ODEON(2023)

    ODEON(2023)

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    Seoyun Hong
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    ODEON, 2023, Metal Sheet, Size Variable, Installation view These are displayed in the seminar room, where the lectures happen. Now these letters are stored in my room, in the small gap between the wall and the wardrobe. Where would they go next time?

  • Michael Dean

    Michael Dean

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    Seoyun Hong
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    (UnfuckingTitled) HAPPY END, 2022, Reinforced concrete, pigment, 134.5 x 135 x 54 cm Jungle is Massive, Installation view, Herald St, London, UK, 2022 Lost True Leaves, Installation view, Nasher Sculpture Center, Dallas, US, 2016 Unfucking Titled, 2018, Steel, concrete, corrugated plastic, balloons, cable ties, padlocks and scene tape, 230 x 165 x 335 cm Interview…

  • Cornelia Parker

    Cornelia Parker

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    Seoyun Hong
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    Endless Coffee, 2022, 13 silver coffee pots flattened by 250 tonne press, wire, height variable Thirty Pieces of Silver, 2017, wool, silk, metal thread 247×295.5cm Perpetual Canon, 2004 Images: Friths Street Gallery / Collection of Contemporary Art Fundación “la Caixa”, Barcelona

  • Rhea Dillon

    Rhea Dillon

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    Seoyun Hong
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    Icarus! Icarus! Icarus!., 2020 The Sombre Majesty(or, on being the pronounced dead), Soft Opening, London, 2022 Prayer, 2024 New wor(l)d.,2022 Image: Soft Opening

  • Open Call (2024)

    Open Call (2024)

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    Seoyun Hong
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    a4 size

  • Can I post?

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    Seoyun Hong
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    I just built my website and it feels good. what does block means? how do i add photos i found this image on internet today I want to give the title “The medium is the message.” thank you.